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Afro-Cuban Folkloric Dance in the Age of Intellectual Property

Bibliographic Data

ID4759846
AuthorsCarolyn Renée Pautz (Temple University, corresponding author)
Year2018
Volume25
Issue2
Pages179-201
Publication date2018-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of Cultural Property (JOURNAL)
Journal identifiersISSN: 0940-7391 • E-ISSN: 1465-7317
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0940739118000115
OpenAlexW2809057334
LanguageEN
References cited27

This article analyzes drafts put forth by the World Intellectual Property Organization (WIPO) to examine the gaps that are created when institutions attempt to assign authorship of traditional knowledge and traditional cultural expressions to individuals and communities and how these gaps impact the use of folkloric dance in cultural institutions. The analysis produced via anthropological mappings of policy is underpinned with an examination of terminologies that circulate between fields of discourse, spiraling their way into public policies concerning marginalized peoples' rights, economies of art, and intellectual property. This is followed by ethnographic accounts of Afro-Cuban folkloric dance classes, for it is in the dancing bodies that gaps between policies of authorship and the reality of unstable streams of transmission and reception materialize. By reproducing and circulating these unstable streams, combined with various legal doctrines put forth by WIPO, cultural institutions appropriate Afro-Cuban folkloric dance to commodify individuals and communities

Art · Cultural heritage · Cultural property · Dance · Epistemology · Ethnography · Folklore · Intellectual property · Literature · Political science · Property (philosophy · Sociology · Anthropology · Asian Culture and Media Studies · Cuban History and Society · Law · Music History and Culture

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