Some remarks on musical instrument design at STEIM
Bibliographic Data
| ID | 4796374 |
|---|---|
| Authors | Joel Ryan (0000-0002-7295-815X, corresponding author) |
| Year | 1991 |
| Volume | 6 |
| Issue | 1 |
| Pages | 3-17 |
| Publication date | 1991-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494469100640021 |
| OpenAlex | W1965487093 |
| Language | EN |
| Citations received | 8 |
At STEIM most research is applied towards specific projects of resident artists and composers. A large portion of this work is for live performance with digital electronics. Hardware and software designers are guided to take idiosyncrasy rather than generality as the prime guiding principle but have managed to create recyclable musical tools. An empirical method is promoted for both artist and technologist in order to recover the physicality of music lost in adapting to the abstractions of technology. The emphasis is on instrument design as a response to the questions posed by each artist's heterogeneous collections of ideas and tools
Acoustics · Aesthetics · Art · Musical · Musical instrument · Physics · Visual arts · Computer Science · Diverse Musicological Studies · Music and Audio Processing · Music Technology and Sound Studies
Gesto musical e o uso de interfaces físicas digitais na performance do livre electronics
Instruments and Players
Laban Effort in Empty-Handed Interactions of Hindustani Dhrupad Vocal Improvisation
Selection as Tapping
Out of Touch? Challenges in Reconnecting Bodies with Instruments ‘of the Future’
Transdisciplinarity, Composition, Expression
Live' versus 'real-time
Haptic Augmentation of the Hybrid Piano
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 1994 - 2024 (31) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 6 |