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Haptic Augmentation of the Hybrid Piano

Bibliographic Data

ID3858232
AuthorsLisa Hayes (0000-0001-5974-6761, Schlumberger (Ireland), corresponding author), Lauren Hayes (0009-0001-1965-6945)
Year2013
Volume32
Issue5
Pages499-509
Publication date2013-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494467.2013.849877
OpenAlexW2090898729
LanguageEN
Citations received1
References cited8

One of the most vital feedback systems that has been embedded in musicians for centuries is that of physical response. In the same way that auditory information is available and used throughout a performance, a musician will continuously reassess their playing by making use of not only their specialised sensorimotor skills, but also the tangible feedback that is relayed to them through the body of the instrument. This paper discusses approaches to the development of an augmented instrument, namely the hybrid piano, which focuses on the notion of performance as perceptually guided action. While the acoustic component of the sound energy of the augmented instrument is created within the real-world interactions between hammers, resonating strings, and the soundboard, the digital sonic events cannot be located in a similar palpable source. By exploring notions of multimodality and haptic feedback, the ongoing processes of human action and perception within instrumental performance can be maintained for the player, whilst arguably, also enhancing the experience for the listener

Acoustics · Audio feedback · Auditory feedback · Hammer · Haptic technology · Human–computer interaction · Perception · Piano · Simulation · Computer Science · Engineering · Music Technology and Sound Studies · Neuroscience and Music Perception · Psychology · Tactile and Sensory Interactions

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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