The Making of Memory
Monumental Iconology as Historical Semiotics by Reinhart Koselleck
Bibliographic Data
| ID | 4847846 |
|---|---|
| Authors | Servanne Jollivet (0000-0002-4147-8997, corresponding author) |
| Year | 2025 |
| Volume | 20 |
| Issue | 1 |
| Pages | 113-132 |
| Publication date | 2025-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Contributions to the History of Concepts (JOURNAL) |
| Journal identifiers | ISSN: 1807-9326 • E-ISSN: 1874-656X |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/choc.2025.200107 |
| OpenAlex | W4414091696 |
| Language | EN |
| Citations received | 1 |
In the space of a generation, the image has become the main and omnipresent medium through which we relate to the world, shaping our modes of expression and our experiences. This mutation has brought about a profound renewal of our practices and a significant change in our relationship to time-with a narrowing focus on actuality-but also to memory, with the possibility through images to instantly disseminate singular experiences in the public sphere. Starting from the untransmissible nature of individual experiences, particularly traumatic ones, Koselleck offers us the outline and starting point for a rethinking of these contemporary transformations, particularly regarding the question of transmission, but also access to a common memory, which leads us to rethink the very presuppositions of historical work
Presupposition · Memory, History, Trauma, Identity · Memory, Trauma, and Commemoration · Walter Benjamin Studies Compilation
| Citations per year | 1 |
|---|---|
| Citation span | 2026 - 2026 (1) |
| Highly cited | No |