Locating Project Studios and Studio Projects
Bibliographic Data
| ID | 4855838 |
|---|---|
| Authors | Malcolm Slater (0000-0002-9925-753X, corresponding author) |
| Year | 2016 |
| Volume | 141 |
| Issue | 1 |
| Pages | 167-202 |
| Publication date | 2016-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Royal Musical Association (JOURNAL) |
| Journal identifiers | ISSN: 0269-0403 • E-ISSN: 1471-6933 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1080/02690403.2016.1151241 |
| OpenAlex | W2395087126 |
| Language | EN |
| Citations received | 2 |
| References cited | 1 |
Via a longitudinal case study of a studio project (Middlewood Sessions, 2004-12), this research explores processes of music-making in the increasingly prevalent context of the project studio to give an insight into contemporary music-making practices. Predicated upon technologies of decreasing size but increasing processing power, project studios represent a diversification of musical creativity in terms of the persons and locations of music production. Increasingly mobile technologies lead to increasingly mobile practices of music production, which presents a challenge to the seemingly simple question: where is the project studio? In response, I propose an ontology of project-studio music-making that sets out what conditions have to be met for location, as an active proposition, to take place
Diverse Music Education Insights · Music History and Culture · Music Technology and Sound Studies
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2016 - 2025 (10) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |