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Backpackers and Gangstas

Chicago's White Rappers Strive for Authenticity

Bibliographic Data

ID4867987
AuthorsGeoff Harkne (0000-0003-3596-3483, Northwestern University in Qatar, corresponding author), Geoff Harkness (Northwestern University Qatar, Doha, Qatar,)
Year2011
Volume55
Issue1
Pages57-85
Publication date2011-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Behavioral Scientist (JOURNAL)
Journal identifiersISSN: 0002-7642 • E-ISSN: 1552-3381
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0002764210381729
OpenAlexW1982646224
LanguageEN
Citations received6
References cited14

This project contains an ethnographic and interview-based study of White rappers in Chicago. The research was fueled by a single question: How do White rappers create and maintain authenticity when they are clearly inauthentic by the standards of hip-hop? Though the term authenticity is used often in sociology and other literatures, the author seeks to unpack this mechanism in search of the specific social processes at work. The author begins with a brief account of his methods and then moves to a literature review that includes a broad study of culture and identity; an ethnographic account of White rappers in the United Kingdom; studies of authenticity in the country, punk, blues, and rap music scenes; and an examination of linguistic and rhetorical devices used by rappers. The body of the article explores several aspects of culture: how the rappers in the study learned how to rap, an examination of two cultural objects (live performance and recorded music), and an exploration of two broad categories of rappers, described as backpackers and gangstas. Throughout the article, the author focuses on areas where the current literature does not match up with his own research in hopes of nudging these theories in new directions

Art · Blues · Ethnography · Literature · Media studies · Punk · Rhetorical question · Sociology · White (mutation) · Anthropology · Latin American and Latino Studies · Music History and Culture · Social and Cultural Dynamics

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    Open Access•Matthew Oware•Sociology of Race and Ethnicity•2016

  • Success on the decks

    Garth D Stahl, Pete Dale•Gender and Education•2013

  • Beyond Black

    Open Access•Ernest Cashmore, Ellis Cashmore•Beyond Black•2012

  • The authority and authenticity of performative Englishes in popular culture

    Open Access•Andrew Moody•World Englishes•2021

  • That's hip-hop to me

    Open Access•Michael Gibson-Light•Poetics•2014

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    Kareem R Muhammad•Social Identities•2015

  • Race, Place and Globalization

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  • Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation

    Open Access•Kembrew Mcleod•Journal of Communication•1999

  • Cultures and Societies in a Changing World

    W Griswold•Cultures and societies in a…•2012

  • “The Chain Remain the Same” Communicative Practices in the Hip Hop Nation

    Open Access•Geneva Smitherman•Journal of Black Studies•1997

  • Constructing Racial Rhetoric

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  • Constructing Ethnicity

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  • How culture works

    Open Access•M Schudson•Theory and Society•1989

Unique citing works6
Citations per year0,43
Citation span2012 - 2021 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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