The Re-Objectification and Re-Commodification of Saartjie Baartman in Suzan-Lori Parks's Venus
Bibliographic Data
| ID | 4910098 |
|---|---|
| Authors | Jean Young (corresponding author) |
| Year | 1997 |
| Volume | 31 |
| Issue | 4 |
| Pages | 699 |
| Publication date | 1997-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African American Review (JOURNAL) |
| Journal identifiers | ISSN: 1062-4783 • E-ISSN: 1945-6182 |
| Publisher | Penn State Press (Project Muse) (PUBLISHER) |
| DOI | 10.2307/3042338 |
| OpenAlex | W4249978417 |
| Language | EN |
| Citations received | 22 |
Jean Young, The Re-Objectification and Re-Commodification of Saartjie Baartman in Suzan-Lori Parks's Venus, African American Review, Vol. 31, No. 4, Contemporary Theatre Issue (Winter, 1997), pp. 699-708
Art · Astrobiology · Commodification · Epistemology · Objectification · Physics · Sociology · Venus · Philosophy · South African History and Culture
“The Venus Hottentot Is Unavailable for Comment”
“We wish to Plead our own Cause”
South African Past Voices and Herstories
Staging Slavery through Historiographic Metatheatre
(Re)membering beyond respectability
‘Slim-thick’
“Showing Her Ass Off in Her Iron Cage”
‘We can see a savage’
The Cambridge History of African American Literature
Fat in a time of slim
A Study of “Quad Ps” in Suzan-Lori Parks’s Venus
ModernBaartmans
Mind Your Business and Leave My Rolls Alone’
Remembering Saartjie Baartman
Showing Her Ass Off in Her Iron Cage”
Black/Female/Body Hypervisibility and Invisibility
Body Spectacle of the “Black Venus”
Sara Baartman and the "Inclusive Exclusions" of Neoliberalism
Our Posteriors, Our Posterity
I Need You to Tell My Story
Which Bodies Matter
Examining Millie and Christine McKoy
| Unique citing works | 22 |
|---|---|
| Citations per year | 0,88 |
| Citation span | 2001 - 2026 (26) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 22 |