From Cameras to Slideshows
Bibliographic Data
| ID | 4911263 |
|---|---|
| Authors | Catherine E Clark (0000-0002-9348-925X, corresponding author) |
| Year | 2024 |
| Volume | 166 |
| Issue | 1 |
| Pages | 27-61 |
| Publication date | 2024-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2024.166.2.27 |
| OpenAlex | W4396543580 |
| Language | EN |
This article looks past the showy dramas of French Maoism in order to bring into focus its widespread and at times banal photographic practices in the late 1960s and 70s. Tremendous energy was devoted to taking and circulating photos of China within France. These photographs, whose close connection to the real seems at odds with the goals and means of the Cultural Revolution, were nonetheless essential to its enthusiastic reception in the West
Computer vision · Cinema and Media Studies · Computer Science · Cultural Industries and Urban Development · Digital Games and Media · History · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |