Chopin's Prelude in C Major Revisited
Integrating Sound and Symbol
Bibliographic Data
| ID | 4920296 |
|---|---|
| Authors | Diane Urista (Oberlin College), Diane J Urista (Oberlin College, corresponding author) |
| Year | 2007 |
| Volume | 13 |
| Issue | 1 |
| Publication date | 2007-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.13.1.3 |
| OpenAlex | W2345038148 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
This article presents comparisons of several recordings and analyses of Chopin's Prelude in C Major, Op. 28, No. 1. My intent is to demonstrate how including recordings in the analytical process provides greater insights than those yielded by traditional analysis. The intersections and digressions between performances and written analyses are examined to reveal the relationships between the score and its sonic and symbolic interpretations
Art · Literature · Musicology and Musical Analysis · Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,09 |
| Citation span | 2015 - 2015 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |