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James Brown', 'Jamesbrown', James Brown

Black (music) from the getup

Bibliographic Data

ID4935838
AuthorsDhanveer Singh Brar (University of Pennsylvania, corresponding author)
Year2015
Volume34
Issue3
Pages471-484
Publication date2015-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143015000379
OpenAlexW2185048795
LanguageEN
Citations received1
References cited14

The following article addresses the question of the blackness and radicalism of James Brown's musical performances during what was arguably the peak of his career, between 1964 and 1971. Using analytical frameworks from the fields of black studies, performance studies and cultural theory, this article presents an argument for listening to Brown's music in terms of the modalities of rupture. The activity of rupture is tracked through the preface to his autobiography, the stage performance he developed in the early part of his career, and the experiments in rhythm he orchestrated with his band in 1964. The article culminates in a close listening of the 1971 record 'Super Bad' as the aesthetic height of a black radicalism Brown was producing through his music

Active listening · Argument (complex analysis · Art · Art history · Biography · Call and response · Literature · Music history · Musical · Performance art · Political radicalism · Politics · Sociology · Communication · History · Law · Music History and Culture · Race, History, and American Society · Theater, Performance, and Music History

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    Fred Moten•In the break•2003

  • Black Marxism, Revised and Updated Third Edition

    Cedric J Robinson, Damien Sojoyner et al.•Black Marxism, Revised and…•2021

  • Scarring the Black Body

    Michael Hardin, Craig E Henderson et al.•The Journal of the Midwest Modern…•2003

  • Just My Soul Responding

    Bill Ward, Brian Ward•Just My Soul Responding•2012

  • Presence and Pleasure

    Anne Danielsen•Presence and Pleasure•2006

  • Just My Soul Responding

    Susan E Oehler, Susan Oehler et al.•Journal of American History•2001

  • Different DrummersRhythm and Race in the Americas

    M Munro•Different drummers•2010

  • Percussion

    John Mowitt•Percussion•2002

  • X-The Problem of the Negro as a Problem for Thought

    Nahum Dimitri Chandler•Problem of the Negro as a Problem…•2013

  • Knowledge of Freedom

    Fred Moten•CR The New Centennial Review•2004

  • Sweet Soul Music

    Robert Cochran, Peter Guralnick•Journal of American Folklore•1987

  • Mama's Baby, Papa's Maybe

    Hortense J Spillers•diacritics•1987

Unique citing works1
Citations per year0,1
Citation span2016 - 2016 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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