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A computational model of rubato

Bibliographic Data

ID4948485
AuthorsNeil P Mcangus Todd (0000-0003-0336-6684, University of Exeter, corresponding author), Neil Todd
Year1989
Volume3
Issue1
Pages69-88
Publication date1989-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494468900640061
OpenAlexW2062371532
LanguageEN
Citations received10
References cited15

Presented is a model of rubato, implemented in Lisp, in which expression is viewed as the mapping of musical structure into the variables of expression. The basic idea is that the performer uses "phrase final lengthening" as a device to reflect some internal representation of the phrase structure. The representation is based on Lardahl and Jackendoff's time-span reduction. The basic heuristic in the model is recursive involving look-ahead and planning at a number of levels. The planned phrasings are superposed beat by beat and the output from the program is a list of durations which could easily be adapted to be sent to a synthesiser given a suitable system. KEYWORDS: computational modellingmusic cognitionmusical performancerubatomental representationmental process

Computer Science · Syntax, Semantics, Linguistic Variation

  • Historical Trends in Expressive Timing Strategies

    Open Access•Michael Rector•Empirical Musicology Review•2021

  • The Influence of Musical Context on Tempo Rubato

    Renee Timmers, Richard Ashley et al.•Journal of New Music Research•2000

  • Computational Models of Expressive Music Performance

    Gerhard Widmer, Werner Goebl•Journal of New Music Research•2004

  • Tempo curves considered harmful

    Peter Desain, Henkjan Honing•Contemporary Music Review•1993

  • Music Performance

    Caroline Palmer•Annual Review of Psychology•1997

  • Musical plausibility

    Open Access•Tilo Hähnel•Musicae Scientiae•2013

  • Sonata para piano n. 1 de Francisco Mignone

    Open Access•Nayane Nogueira Soares, Cristina Capparelli Gerling•Orfeu•2018

  • Pacing, Performance, and Perception in Alice Ping Yee Ho’s Angst

    Hannah Davis-Abraham•Contemporary Music Review•2023

  • Towards a cognitive theory of expression

    Neil P Mcangus Todd, Neil Todd•Contemporary Music Review•1989

  • Critical study of Sundberg's rules for expression in the performance of melodies

    Peter Van Oosten•Contemporary Music Review•1993

  • Vision

    David Marr•Vision•2010

  • Hierarchical Clustering Schemes

    Open Access•Stephen C Johnson•Psychometrika•1967

  • Performance structures

    Open Access•J P Gee, Francois Grosjean•Cognitive Psychology•1983

  • The Perception of Music

    H C Losguet-Higgins•Interdisciplinary Science Reviews•1978

  • Mental Models

    Marilyn Ford, Philip N Johnson-Laird•Language•1985

  • Towards a cognitive theory of expression

    Neil P Mcangus Todd, Neil Todd•Contemporary Music Review•1989

Unique citing works10
Citations per year0,27
Citation span1989 - 2023 (35)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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