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Artificial Intelligence and Creativity

Bibliographic Data

ID4951790
AuthorsCaterina Moruzzi (0000-0002-9728-3873, University of Edinburgh, corresponding author)
Year2025
Volume20
Issue3
Publication date2025-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePhilosophy Compass (JOURNAL)
Journal identifiersISSN: 1747-9991 • E-ISSN: 1747-9991
PublisherWiley (PUBLISHER • GB)
DOI10.1111/phc3.70030
OpenAlexW4408321630
LanguageEN
Citations received13
References cited57

The question of whether machines can be creative has been at the centre of debates among scholars and practitioners well before the inception of artificial intelligence (AI) as a recognised field of research. This paper reviews how some of the key thinkers in the fields of creativity and AI have approached this question, contextualising their views within the ebbs and flows of AI technological developments, from the 1950s until now. The thread of this overview is Margaret Boden's identification of novelty, surprisingness and value, as the three cardinal features of creativity. This review will retrace the steps of the quest of artificial intelligence researchers as they strive to replicate each of these three properties within human-made machines. The paper closes with a reflection on how the third of these properties, value, prompts us to consider societal challenges raised by the widespread adoption of AI for creativity that transcend the question: 'Can AI be creative

Cognitive science · Creativity · Computer Science · Creativity in Education and Neuroscience · Psychology · Social Psychology · Artificial Intelligence

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Unique citing works13
Citations per year13
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 12

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