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Time and Affective Perception in the Sonic Work of Art

Bibliographic Data

ID4953129
AuthorsEleni Ikoniadou (Kingston University, London)
Year2014
Volume20
Issue3-4
Pages140-161
Publication date2014-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBody & Society (JOURNAL)
Journal identifiersISSN: 1357-034X • E-ISSN: 1460-3632
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1357034x14546056
OpenAlexW2171940403
LanguageEN
Citations received7
References cited16

The purpose of this article is to explore the concept of rhythm as enabling relations and thus as an appropriate mode of analysis for digital sound art installation. In particular, the article argues for a rhythmanalysis of the sonic event as a 'vibrating sensation' (Deleuze and Guattari) that incorporates the virtual without necessarily actualizing it. Picking up on notions such as rhythm, time, affect, and event, particularly through their discussion in relation to Susanne Langer's work, I argue for the consideration of the sonic event as an instance of a different kind of temporality subsisting underneath clock-time and sense perception. Ultimately, and this is the position of this essay, an investigation into experimental projects that interweave digital, sound, and aesthetic dimensions enables the articulation of a rhythmic time that helps account for the unknown, indeterminate, and unintentional forces immanent to the sonic

Acoustics · Aesthetics · Affect (linguistics · Art · Articulation (sociology · Cognitive science · Epistemology · Event (particle physics · Human–computer interaction · Mode (computer interface · Perception · Performing arts · Rhythm · Sound (geography · Temporality · Time perception · Visual arts · Computer Science · Cybernetics and Technology in Society · Music Technology and Sound Studies · Posthumanist Ethics and Activism · Psychology · Communication · Philosophy

  • Carving out a Sonorous Space for Erotic Tenderness

    Open Access•Stephanie Koziej•Deleuze and Guattari Studies•2023

  • Wine's time

    Open Access•Ali Lara•Subjectivity•2017

  • The Rhythm of Echoes and Echoes of Violence

    Open Access•Mickey Vallee•Theory Culture & Society•2017

  • Beyond Representation

    Josep Martí Pérez•Journal of Posthuman Studies•2019

  • Reorienting The Production of Space

    Open Access•Alex Farrington•Environment and Planning C…•2020

  • Institutional rhythms

    Open Access•Sarah Blue, Stanley Blue•Time & Society•2019

  • A Transmaterial Approach to Walking Methodologies

    Open Access•Springgay, Stephanie Springgay et al.•Body & Society•2017

  • Noise, Water, Meat

    Douglas A Kahn, Douglas Kahn•Noise, Water, Meat•1999

  • Immaterial Bodies

    L Blackman•Immaterial Bodies•2012

  • Semblance and Event

    B Massumi•Semblance and Event•2011

  • Listening to Noise and Silence

    Salomé Voegelin•Listening to Noise and Silence•2010

  • Aristotle on Time

    Open Access•Tony Roark•Aristotle on Time•2011

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • Parables for the Virtual

    Open Access•B Massumi, Stanley Fish et al.•Parables for the Virtual•2002

  • Always More than One

    Open Access•Erin Manning•Body & Society•2010

  • Embodying Affect

    Open Access•L Blackman•Body & Society•2010

  • Affect

    Open Access•L Blackman, Couze Venn•Body & Society•2010

  • Music and Duration

    Basil De Selincourt•Music and Letters•1920

Unique citing works7
Citations per year0,78
Citation span2017 - 2023 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 7

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