Performing Mulata-ness

The Politics of Cultural Authenticity and Sexuality among Carioca Samba Dancers

Bibliographic Data

ID4958727
AuthorsNatasha Pravaz (corresponding author)
Year2012
Volume39
Issue2
Pages113-133
Publication date2012-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLatin American Perspectives (JOURNAL)
Journal identifiersISSN: 0094-582X • E-ISSN: 1552-678X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0094582x11430049
OpenAlexW2134272952
LanguageEN
Citations received6
References cited26

In Rio de Janeiro, mulatas-brown-skinned women of mixed racial descent who dance the samba in Carnival parades and in nightclubs-have become multifocal symbols eliciting associations that resonate both with colonial morality and with mestiçagem, the narrative of racial and cultural mixing as a cornerstone of nationhood. Because of these associations, a dangerous border crossing takes place whenever they dance the samba in public: they may become icons of nationhood, but this may call into question their moral standing. Women who occupy this subject position attempt to maintain a modicum of respectability as they manipulate the objectifying gaze of Brazilians and foreigners to the best of their ability. They also attempt to portray their dance skills as culturally "authentic" in the search for legitimacy and racial pride. Ultimately, samba is a stage upon which the economic needs, embodied desires, and ethnic identities of Brazilian women clash and collude with the neo-colonial dreams of tourists and cosmopolitans. Na cidade do Rio de Janeiro, as mulatas-mulheres de ascendência racial misturada que dançam o samba nos desfiles de carnaval e nas boites-se tornaram símbolos polivalentes que evocam associações ressonantes com a moralidade colonial e com o discurso da mestiçagem (mistura racial e cultural) comofundamento da brasilidade. Por causa destas associações, elas negociam um espaço perigoso cada vez que sambam em público: podem tornar-se símbolos da nação, mas isto pode gerar dúvidas sobre a sua reputação moral. As mulheres nesta posição social tentam manter um mínimo de respeito social através da manipulação dos olhares brasileiros e estrangeiros que as reificam. Em busca de legitimidade e orgulho racial, elas procuram definir suas habilidades artísticas comoculturalmente "autênticas." Por fim, o samba é um palco onde as necessidades econômicas, os desejos encarnados e as identidades étnicas da mulher brasileira se embatem e conspiram com os sonhos neo-coloniais de turistas e cosmopolitas

Economics · Mathematical economics · Political science · Sociology · Historical Art and Culture Studies · Mathematics · Travel Writing and Literature · Visual Culture and Art Theory

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