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The Moral Dimension of the Prophetic Ideal

Pushkin and His Readers

Bibliographic Data

ID4988656
AuthorsPamela Davidson (corresponding author)
Year2002
Volume61
Issue3
Pages490-518
Publication date2002-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSlavic Review (JOURNAL)
Journal identifiersISSN: 0037-6779 • E-ISSN: 2325-7784
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/3090299
OpenAlexW2031156395
LanguageEN
Citations received1
References cited4

In this article Pamela Davidson identifies a range of literary strategies that evolved in response to the disparity between the high standard of moral purity, which was a prerequisite for the Hebrew prophet, and the much laxer moral standards of Russian writers who adopted this role model. Strategies designed to reinforce the moral credentials of Aleksandr Pushkin, commonly regarded as the prototype of the poet-prophet, include the substitution of artistic for moral integrity (Nikolai Gogol'), the treatment of literary accounts of purification as evidence of the writer's moral standing (readings of "The Prophet"), the cult of martyrdom as an aspect of the writer's biography, derived from his suffering in life (Mikhail Lermontov) and extended to the interpretation of his death (Vladimir Solov'ev). Although these strategies enabled such later writers as Fedor Dostoevskii to assume the role of prophet, the blurring of the moral dimension of the prophetic ideal had long-term consequences for the development of Russian society and culture

Aesthetics · Art · Biography · Cult · Dimension (graph theory · Epistemology · Ideal (ethics · Interpretation (philosophy · Linguistics · Literature · Moral character · Theology · Philosophy · Religious, Philosophical, and Educational Studies

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  • Russian Messianism

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Unique citing works1
Citations per year0,05
Citation span2005 - 2005 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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