Technical Images and their Medium. How to Display Vilém Flusser's Thinking
Bibliographic Data
| ID | 4998854 |
|---|---|
| Authors | Riccardo Venturi (0009-0002-3971-0862, corresponding author) |
| Year | 2016 |
| Volume | 46 |
| Issue | 46 |
| Publication date | 2016-05-20 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.21167 |
| OpenAlex | W2413993045, W4256239285 |
| Language | EN |
How are we to re-think the relations between the Czech philosopher Vilém Flusser (1920-1991) and contemporary artists and visual arts, and his influence on them?The recent publication of several books by and about Flusser may help us to reconsider these links as a whole in a new light.First and foremost, the American publisher Univocal has brought out several writings by Flusser in English-Natural: Mind (2013), History of the Devil (2014), On Doubt (2014), and Into Immaterial Culture (2015)-coming from the archives held at the Universität der Künste in Berlin, a collection which still largely remains to be explored.In the Vilém Flusser bibliography from 1960 to 2000, i.e. "a total of 406 titles in German, 352 titles in Portuguese, 90 titles in English and 60 in French, among other languages", 1 "only thirty percent has been
Aesthetics · Art · Art history · Literature · The arts · Visual arts · Computer Science · Digital Media and Philosophy · History · Literature and Cultural Memory · Phenomenology and Existential Philosophy · Visual Culture and Art Theory
| Highly cited | No |
|---|