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Kant's Magic Lantern

Historical Epistemology and Media Archaeology

Bibliographic Data

ID5035811
AuthorsStefan Andriopoulo, Stefan Andriopoulos (corresponding author)
Year2011
Volume115
Issue1
Pages42-70
Publication date2011-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueRepresentations (JOURNAL)
Journal identifiersISSN: 0734-6018 • E-ISSN: 1533-855X
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/rep.2011.115.1.42
OpenAlexW2053164256
LanguageEN
Citations received2

This essay juxtaposes Kant's critical epistemology with the visual medium of the phantasmagoria and a contemporaneous debate about spirit apparitions. Kant's notion of Erscheinung as an appearance or apparition of a supersensory thing in itself draws on the previous hypothesis of genuine spirit apparitions from his Dreams of a Spirit Seer (1766). His doctrine of transcendental illusion, by contrast, adapts a second, skeptical explanation of spirit visions by describing speculative metaphysics as a "magic lantern of brain phantoms." Kant thereby transforms the optical instrument into an epistemological figure, highlighting the unreliability and limits of philosophical knowledge

Art · Art history · Doctrine · Epistemology · Falsity · Illusion · Lantern · Literature · Metaphysics · Physics · Skepticism · Theology · Transcendental number · Vision · Cybernetics and Technology in Society · Philosophy · Photography and Visual Culture

  • The Medium Is the (Discriminatory) Message

    Open Access•Giacomo Pezzano•Philosophies•2024

  • Metaphysics as Kant’s Coquette

    Open Access•Jeremiah Alberg•Kantian Review•2015

Unique citing works2
Citations per year0.18
Citation span2015 - 2024 (10)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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