Referential iconicity in music and speech
Bibliographic Data
| ID | 5043314 |
|---|---|
| Authors | Veronica Giraldo (0000-0002-2246-6798, Lund University, corresponding author) |
| Year | 2020 |
| Volume | 9 |
| Issue | 1 |
| Pages | 41-77 |
| Publication date | 2020-02-25 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Public Journal of Semiotics (JOURNAL) |
| Journal identifiers | ISSN: 1918-9907 • E-ISSN: 1918-9907 |
| Publisher | Public Journal of Semiotics, Lund University (PUBLISHER) |
| DOI | 10.37693/pjos.2019.9.20283 |
| OpenAlex | W3007815199 |
| Language | EN |
| Citations received | 3 |
| References cited | 16 |
Musical meaning is multifaceted. It is highly sensory and yet often abstract; able to cross cultural boundaries and yet embedded in specific traditions. For the most part music as a semiotic system is characterized by non-referential meaning (Monelle, 1991). Nevertheless, in so-called programmatic music, musical themes are intended to refer to worldly objects and events on the basis of iconic (and indexical) grounds. Such non-arbitrariness has been extensively documented in the case of speech as well (Ahlner and Zlatev, 2010; Sonesson 2013; Imai and Kita, 2014). In an experimental study, I investigated how referential iconicity in speech operates in comparison to music, considering the factors (a) primary/secondary iconicity and (b) linguistic/cultural background. In the experiment 21 Swedish and 21 Chinese native speakers had to match musical fragments from Prokofief's Peter and the Wolf and spoken word-forms to objects, represented by schematic pictures. The experiment was designed to have two conditions to operationalize higher degree of primary and secondary iconicity, respectively. The results showed that there was no significant difference between the overall results for music and linguistic tasks, indicating that the cognitive-semiotic processes involved are not limited to a single cognitive domain or semiotic system. Both groups performed significantly above chance in both conditions, which serves as a clear indicator that interpreting referential music in music and speech sounds is not purely a case of secondary iconicity. Author Biography Verónica Giraldo's academic background is in music and linguistics. She holds an MA in Language and Linguistics with specialization in Cognitive Semiotics from Lund University. The work presented derives from her master's thesis project. One of her main interest is exploration of the possible correlations between language and music from the perspective of cognitive semiotics. She is currently researching on how to make visual art and museums more accessible to the blind and visually impaired community
Arbitrariness · Art · Cognition · Cognitive linguistics · Iconicity · Indexicality · Linguistics · Literature · Musical · Semiotics · Sound symbolism · Syllable · Language, Metaphor, and Cognition · Philosophy · Psychology
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| Unique citing works | 3 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2020 - 2024 (5) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |