Re-exhibition Stories
Bibliographic Data
| ID | 5121309 |
|---|---|
| Authors | Elitza Dulguerova (0000-0003-2317-206X, Institut ACTE - Arts Créations Théories Esthétiques, corresponding author) |
| Year | 2014 |
| Volume | 42 |
| Issue | 42 |
| Publication date | 2014-05-15 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.13483 |
| OpenAlex | W1982758521 |
| Language | EN |
The existence of the history of exhibitions as a discipline needs no further demonstration. Publications which started to appear in the early 1990s have been growing in number for a good ten years, as have specialized magazines. Nor is the institutional field being outdone: publishing house are inaugurating collections, museums are launching self-reflective research programmes, and universities and art schools are offering courses focusing on the study and practice of exhibitions—something th
Art · Exhibition · Visual arts · Museums and Cultural Heritage
| Highly cited | No |
|---|