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Dancing on the Threshold

A Cultural Concept for Conditions of Being Far from Salvation

Bibliographic Data

ID5124403
AuthorsGregor Rohmann (corresponding author)
Year2015
Volume10
Issue2
Publication date2015-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContributions to the History of Concepts (JOURNAL)
Journal identifiersISSN: 1807-9326 • E-ISSN: 1874-656X
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/choc.2015.100204
OpenAlexW2606215331
LanguageEN
Citations received2

“Dancing mania” and “St. Vitus dance” were culturally formed illness concepts that enabled late medieval people in the Rhine area to act out states of liminality. The semiotics of these trace back to ancient Platonic cosmology, which had been transmitted into medieval theology by late antique Neoplatonism. In this article the iteration of these motifs especially through the early and high Middle Ages is scrutinized. When “dancing mania” emerged in the fourteenth century it was thus neither an early case of mass hysteria nor a particular form of religious deviance, as is still assumed frequently

Aesthetics · Ancient history · Antique · Art · Dance · Epistemology · Liminality · Literature · Middle Ages · Semiotics · Decadence, Literature, and Society · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · History of Medicine Studies · Philosophy

  • The Liminal Space of Medieval Dance Practices

    Open Access•Laura Hellsten•Arts•2022

  • La danse immobile

    Open Access•Licia Buttà, Adrien Belgrano et al.•Perspective•2020

Unique citing works2
Citations per year0,33
Citation span2020 - 2022 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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