Selling an image
Girl Groups of the 1960s
Bibliographic Data
| ID | 5160844 |
|---|---|
| Authors | Cynthia J Cyrus (0000-0001-7206-1177, corresponding author) |
| Year | 2003 |
| Volume | 22 |
| Issue | 2 |
| Pages | 173-193 |
| Publication date | 2003-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143003003118 |
| OpenAlex | W2130017352 |
| Language | EN |
| Citations received | 8 |
| References cited | 1 |
This article considers the parameters and implications of the look of 1960s girl groups such as the Marvelettes, the Shirelles and the Shangri-Las through an examination of approximately two hundred images taken from title pages for songs, from LP covers, and from ads and publicity photos. An overwhelming majority of these visual images depict the members of an ensemble as equal and visually interchangeable, for the members dressed in the same clothes and accessories, sported the same hair style and stood in the same pose. This uniformity supported the chatty teenage dialogue which typified the girl group lyrics. Perhaps more importantly, it also invited the audience member to identify herself with the members of the group. Such a message of belonging was an important part of a marketing strategy aimed at the increasingly multiracial teen market of the period
Advertising · Art · Business · Clothing · Girl · Literature · Lyrics · Media studies · Political science · Publicity · Sociology · Style (visual arts · Visual arts · Gender, Feminism, and Media · Law · Media, Gender, and Advertising · Music History and Culture · Psychology
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| Unique citing works | 8 |
|---|---|
| Citations per year | 0,38 |
| Citation span | 2005 - 2016 (12) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |