Nothing You Can See That Isn't Shown

The album covers of the Beatles

Bibliographic Data

ID7976515
AuthorsIan Inglis (corresponding author)
Year2001
Volume20
Issue1
Pages83-97
Publication date2001-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143001001325
OpenAlexW2137910333
LanguageEN
Citations received13
References cited1

From their release in the 1960s, the LPs of the Beatles have dominated the various selections and lists which routinely purport to identify the most popular/most influential/best albums of the popular music era. Throughout each subsequent decade, the verdicts expressed in audience polls, in critics' choices and in the comments of other musicians have served to effectively maintain and enhance the group's reputation. There is, however, an additional way - often alluded to, but rarely investigated - in which the albums of the Beatles are celebrated. Almost without exception, the album covers themselves have been seen as groundbreaking in their visual and aesthetic properties, have been congratulated for their innovative and imaginative designs, have been credited with providing an early impetus for the expansion of the graphic design industry into the imagery of popular music, and have been seen as largely responsible for allowing the connections between art and pop to be made explicit

Aesthetics · Art · Art history · Epistemology · Music education · Music industry · Nothing · Performance art · Popular music · Reputation · Social science · Sociology · Visual arts · Artistic and Creative Research · History · Media, Communication, and Education · Music History and Culture · Philosophy

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