Dados Bibliográficos

AUTOR(ES) M.S. Kukhta , Choygan Kh. Sanchay , O. Khomushku , Giovanni Reale , Dario Antiseri
AFILIAÇÃO(ÕES) Tomsk Polytechnic University, Tuvan State University
ANO 2019
TIPO Book
PERIÓDICO Journal of Siberian Federal University. Humanities & Social Sciences
ISSN 1997-1370
E-ISSN 2313-6014
EDITORA Siberian Federal University
DOI 10.17516/1997-1370-0445
ADICIONADO EM 2025-08-14
MD5 105B254050F0336CB9EA250C51EFF34B
MD5 339AAFE1B6394A379DB3CC8D8B8602DA

Resumo

Scientific relevance of dance culture is driven by studying specifics of traditional and modern dance correlation with new methodology. The article aims analyzing the mechanisms of archetypal symbols translation in modern stage dances of Tuva. For that, the following tasks involving the relation between archetype with totem being considered and representation of archetypal symbols in the structure of modern Tuvan choreography being revealed are achieved in this work. The study allows concluding on morphological stability of the ancient Tuvan ideas preserved in the sacred kinetics of dances reflecting of the world's multidimensionality; on permanent relationship with traditional ideas about the spirits of ancestors and gods. The Tuvan worldview specificity, expressed through the dance culture, keeps this tradition alive

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