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Sobre continuidades e descontinuidades na cultura Hip-Hop

O caso de Moçambique. Entrevista com Simba Sítoi, artista de Hip-Hop moçambicano

Bibliographic Data

ID5653916
AuthorsWilliam De Goes Ribeiro (0000-0003-3940-7492), Laís Volpe Martins (0009-0006-9007-4354)
Year2025
Volume15
Issue28
Pages305-320
Publication date2025-09-10
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePragMATIZES - Revista Latino-Americana de Estudos em Cultura (JOURNAL)
Journal identifiersISSN: 2237-1508 • E-ISSN: 2237-1508
PublisherPro Reitoria de Pesquisa, Pos Graduacao e Inovacao - UFF (PUBLISHER)
DOI10.22409/pragmatizes.v15i28.67367
LanguageEN

This text presents a remote interview, transcribed and edited, with Simba Sitói (Hip-Hop artist in Moçambique), conducted on June 20, 2024. It is about two of the most influential artists from Moçambique, active in Hip-Hop culture, as a rapper and cultural producer. He is the idealizer of important events linked to the topic, or that include the young artist's prominence in the "Amor A Camisola" Hip-Hop Festival. In its work, Simba explains elements and questions pertinent to the study of the area, the quais apontam for the course of continuities and discontinuities of a globalized culture, negotiated and locally re-signified. Help us, therefore, which justifies even the interview in this dossiê, to reinforce our argument around the complex and dynamic process of the aforementioned culture

Citation velocityhistorical
Highly citedNo

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