Sobre continuidades e descontinuidades na cultura Hip-Hop
O caso de Moçambique. Entrevista com Simba Sítoi, artista de Hip-Hop moçambicano
Bibliographic Data
| ID | 5653916 |
|---|---|
| Authors | William De Goes Ribeiro (0000-0003-3940-7492), Laís Volpe Martins (0009-0006-9007-4354) |
| Year | 2025 |
| Volume | 15 |
| Issue | 28 |
| Pages | 305-320 |
| Publication date | 2025-09-10 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | PragMATIZES - Revista Latino-Americana de Estudos em Cultura (JOURNAL) |
| Journal identifiers | ISSN: 2237-1508 • E-ISSN: 2237-1508 |
| Publisher | Pro Reitoria de Pesquisa, Pos Graduacao e Inovacao - UFF (PUBLISHER) |
| DOI | 10.22409/pragmatizes.v15i28.67367 |
| Language | EN |
This text presents a remote interview, transcribed and edited, with Simba Sitói (Hip-Hop artist in Moçambique), conducted on June 20, 2024. It is about two of the most influential artists from Moçambique, active in Hip-Hop culture, as a rapper and cultural producer. He is the idealizer of important events linked to the topic, or that include the young artist's prominence in the "Amor A Camisola" Hip-Hop Festival. In its work, Simba explains elements and questions pertinent to the study of the area, the quais apontam for the course of continuities and discontinuities of a globalized culture, negotiated and locally re-signified. Help us, therefore, which justifies even the interview in this dossiê, to reinforce our argument around the complex and dynamic process of the aforementioned culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |