Jennifer Lawrence, remixed
Approaching celebrity through DIY digital culture
Bibliographic Data
| ID | 5674841 |
|---|---|
| Authors | A Kanai (0000-0002-5410-891X, Monash University, corresponding author) |
| Year | 2015 |
| Volume | 6 |
| Issue | 3 |
| Pages | 322-340 |
| Publication date | 2015-07-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Celebrity Studies (JOURNAL) |
| Journal identifiers | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2015.1062644 |
| OpenAlex | W1799802688 |
| Language | EN |
| Citations received | 15 |
| References cited | 38 |
This article seeks to interrogate the relationship between two gendered aspects of celebrity: the way in which female celebrities are used to determine normative femininity in a postfeminist regulatory environment, and the way their audiences are primarily imagined as young and female. I aim to consider the intersections of this relationship by conducting an analysis of the discursive and affective practices of a feminine digital public where displays of digitally remixed culture are used to enact identity. Consisting of the circulation of self-representative 'GIF reaction' blogs authored by young women on blogging social network Tumblr, I analyse how popular young actress Jennifer Lawrence is discursively and affectively sampled and remixed by these bloggers. These blogs match GIF (or .gif) images excerpted from film, television and other popular culture with self-authored captions to construct narratives of youthful femininity documenting feelings and reactions to quotidian situations. I draw together celebrity studies work and the work of feminist scholars of online identity to ask how young women, as subjects who are addressed by celebrity as a vehicle for broader, postfeminist narratives, use Lawrence's gendered, affective labour in their own identity work in a social, digital environment. Here, the blogs reuse and reconstruct Lawrence's skilful affective navigation of postfeminist demands and her celebrity signification of carefree and fun authenticity in narrating the bloggers' own negotiations of femininity
Aesthetics · Art · Celebrity culture · Feeling · Femininity · Literature · Media studies · Narrative · Negotiation · Popular culture · Social science · Sociology · Digital Games and Media · Gender Studies · Gender, Feminism, and Media · Media Studies and Communication · Psychology · Social Psychology
Aberrant AI creations
Relating, searching, and referencing
Neoliberal capitalism and the political aesthetics of tradwife imagery
She has like 4000 followers!’
On not taking the self seriously
Insta brand me
‘Come join and let’s Bond’
Reading out of context
Celebrity, Inc
More than a sex crime
Television in Australia
How to get away with authenticity
Are Di would of loved it
Popularity markers on YouTube's attention economy
Never Gonna GIF You Up
The Fashion Police
Remix
Girlfriends and Postfeminist Sisterhood
Stars
Creative Labour
Scourging the Abject Body
Heavenly Bodies
Introduction
User-Created Content and Everyday Cultural Practice
New Media, Networking and Phatic Culture
New Femininities
Between ?Girl Power? and ?Reviving Ophelia
Gendered risks and opportunities? Exploring teen girls' digitized sexual identities in postfeminist media contexts
Production, Consumption, Prosumption
Regulating The Abject
Fiercely Real
Individuality is everything’
The whole playboy mansion image’
Commodified Agents and Empowered Girls
Reality TV
Reacting to Reality Television
Affect and Emotion
To See and Be Seen
Memes in a Digital World
A trust betrayed
Performing celebrity motherhood on Twitter
The promotion and presentation of the self
Approaching celebrity studies
Popular Culture, Digital Archives and the New Social Life of Data
Top Girls
| Unique citing works | 15 |
|---|---|
| Citations per year | 1,67 |
| Citation span | 2017 - 2025 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 15 |