On good girls and woke white women
Miss Americana and the performance of popular white womanhood
Bibliographic Data
| ID | 5675355 |
|---|---|
| Authors | Annelot Prins (0000-0002-1686-0326, Freie Universität Berlin, corresponding author) |
| Year | 2022 |
| Volume | 13 |
| Issue | 1 |
| Pages | 102-107 |
| Publication date | 2022-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Celebrity Studies (JOURNAL) |
| Journal identifiers | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2021.2023852 |
| OpenAlex | W4206165235 |
| Language | EN |
| Citations received | 6 |
| References cited | 16 |
Art · Sociology · Gender Studies · Gender, Feminism, and Media · Music History and Culture · Race, History, and American Society
Music and society
Creating Country Music
Sexing the Groove
‘Too many bad role models for us girls’
I'd say 14 is too young’
Technologies of Sexiness
The Sound of the Plain White Folk? Creating Country Music's “Social Origins”
Wildest dreams”
From awkward teen girl to aryan goddess meme
Orgasm, Generation, and the Politics of Reproductive Biology
Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation
Capitalism and Romantic ideology in the record business
"Recycled "Trash
| Unique citing works | 6 |
|---|---|
| Citations per year | 3 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 6 |