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The persistence of television

The case ofThe Good Life

Bibliographic Data

ID5682158
AuthorsF Bonner (0000-0002-6511-6843, The University of Queensland, corresponding author), Jason Jacobs (0000-0003-2371-7840, The University of Queensland)
Year2017
Volume12
Issue1
Pages6-20
Publication date2017-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCritical Studies in Television The International Journal of Television Studies (JOURNAL)
Journal identifiersISSN: 1749-6020 • E-ISSN: 1749-6039
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1749602016682751
OpenAlexW2727556639
LanguageEN
Citations received1
References cited16

We argue here that rather than being threatened by new modes of delivery and of viewing, television persists and that this can be charted by examining the familiarity and recognisability of television across the post-World War II period, looking at British, American and Australian programmes, personalities and practices, including promotion. The article presents a case study of the BBC sitcom The Good Life to show some ways that television persists. It considers the sitcom genre, institutional practices, repeat screenings, particular types of spin-off programmes and the place of the show in the subsequent careers of the main actors

Advertising · Aesthetics · Art · Business · Media studies · Personality · Personality psychology · Political science · Sociology · Threatened species · Cinema and Media Studies · Engineering · Gender, Feminism, and Media · Law · Media Studies and Communication · Psychology · Social Psychology

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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