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Superman, the Second World War and the Historical Development of Transmedia Storytelling

Bibliographic Data

ID5698157
AuthorsMatthew Freeman (0000-0003-0410-5451, corresponding author)
Year2015
Volume35
Issue2
Pages215-239
Publication date2015-04-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistorical Journal Of Film Radio and Television (JOURNAL)
Journal identifiersISSN: 0143-9685 • E-ISSN: 1465-3451
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01439685.2014.941564
OpenAlexW1997121473
LanguageEN
Citations received8
References cited3

Re-contextualising the industrial evolution of transmedia storytelling – itself typically branded a product of contemporary media convergence – this article examines the industrial role of transmedia storytelling during a period of Classical Hollywood. Exploring the roles of licensing, corporate authorship, and cross-industrial relations amidst the cultural context of World War II, the article draws on Superman and the expansions of the character’s storyworld across multiple media during the 1940s and 1950s to assess how the media of comics, radio, cinema, and television can be recognised during this period as convergent industry platforms where transmedia narratives unfolded

Advertising · Aesthetics · Art · Art history · Character (mathematics · Comics · Context (archaeology · Convergence (economics · Hollywood · Literature · Media studies · Movie theater · Narrative · Period (music · Sociology · Storytelling · Superman · Technological convergence · Cinema and Media Studies · Comics and Graphic Narratives · Digital Games and Media · Engineering · History

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Unique citing works8
Citations per year1,14
Citation span2019 - 2025 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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