Cultura popular, crítica y política
Una lectura a partir de la obra de Roberto Fontanarrosa
Bibliographic Data
| ID | 5710397 |
|---|---|
| Authors | L M Vazquez (0000-0002-4954-8590, Consejo Nacional de Investigaciones Científicas y Técnicas, corresponding author), Laura Vazquez (Universidad de Buenos Aires (UBA)/Consejo Nacional de Ciencia y Técnica (CONICET)) |
| Year | 2019 |
| Volume | 25 |
| Issue | 3 |
| Pages | 258-274 |
| Publication date | 2019-09-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Iberian and Latin American Research (JOURNAL) |
| Journal identifiers | ISSN: 1326-0219 • E-ISSN: 2151-9668 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13260219.2019.1740458 |
| OpenAlex | W3019505026 |
| Language | ES |
| References cited | 1 |
This article seeks to analyze the criticism of Fontanarrosa’s work, focusing particularly on political contexts and the specific political position of his critics. The analysis becomes relevant when we observe that Fontanarrosa’s work has been studied mostly by critics interested in marginal or in popular culture. Thus, theoretical concepts such as popular and mass become relevant when considering issues linked to national consciousness and identity. The study explains how critics of Fontanarrosa’s comics revealed his learned parody and underlined the transposition mechanisms (memory, discourse, formats) between popular genres and the media
Aesthetics · Art · Comics · Consciousness · Criticism · Epistemology · Humanities · Literature · Media studies · Political science · Politics · Popular culture · Sociology · Journalism and Media Studies · Law · Literary and Cultural Studies · Literature, Culture, and Aesthetics · Philosophy
| Highly cited | No |
|---|