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Rethinking the Rhetoric of Remix

Bibliographic Data

ID5716484
AuthorsMargie Borschke (UNSW Sydney, corresponding author)
Year2011
Volume141
Issue1
Pages17-25
Publication date2011-11-01
Open AccessYes
TypeARTICLE
VenueMedia International Australia (JOURNAL)
Journal identifiersISSN: 1329-878X • E-ISSN: 2200-467X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1329878x1114100104
OpenAlexW2249548783
LanguageEN
Citations received4
References cited7

How did 'remix', a post-production technique and compositional form in dance music, come to describe digital culture? Is it an apt metaphor? This article considers the rhetorical use of remix in Lawrence Lessig's case for copyright reform in Remix: Making Art and Commerce Thrive in the Hybrid Economy (2008). I argue that Lessig's understanding of remix is problematic, as it seems unable to accommodate its musical namesake and obscures the particular history of media use in recent music culture. Drawing on qualitative analysis of popular music cultures, I argue that the conceptualisation of remix as any media made from pre-existing media is problematic. The origins of remix, I argue, provides a lens for thinking critically about the rhetorical uses of the term in current discourse and forces us to ponder materialities. My aim is not to dispute the word's contemporary meaning or attempt to establish a correct usage of the term - clearly a wide variety of creators call their work remix; instead, this article considers the rhetorical work that remix is asked to perform as a way of probing the assumptions and aspirations that lurk behind Lessig's argument

Aesthetics · Art · Epistemology · Linguistics · Literature · Media studies · Metaphor · Musical · Political science · Popular culture · Rhetoric · Rhetorical question · Sociology · Visual arts · Cinema and Media Studies · Computer Science · Digital Games and Media · Law · Music History and Culture

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    Open Access•Olli Seuri, Kim Ramstedt•Media and Communication•2022

  • International Handbook of Internet Research

    Open Access•Jeremy Hunsinger, Lisbeth Klastrup et al.•The international handbook of…•2010

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    Open Access•Lawrence Lessig, Beatriz Rando et al.•Remix•2008

  • Disco Madness

    Open Access•Tim Lawrence•Journal of Popular Music Studies•2008

  • Ethics Reconfigured

    Aram Sinnreich, Mark Latonero et al.•Information Communication & Society•2009

  • Disco edits and their discontents

    Open Access•Margie Borschke•New Media & Society•2010

Citations per year0.8
Citation span2021 - 2025 (5)
Highly citedNo

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