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Atomic-Antarctic terminal zone

Bibliographic Data

ID5726468
AuthorsFabienne Collignon (0000-0002-4911-0302, University of Sheffield, corresponding author)
Year2020
Volume34
Issue4
Pages523-541
Publication date2020-04-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTextual Practice (JOURNAL)
Journal identifiersISSN: 0950-236X • E-ISSN: 1470-1308
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0950236x.2014.996246
OpenAlexW2582838744
LanguageEN
References cited10

This article is concerned with the emergence of proto-cybernetic gadgets and specimen in Antarctica. The essay’s starting point is that the Cold War was literalised at the South Pole, which also operates as a shadowy double of the overtly militarised Arctic. What happens in Antarctica is a secret assimilation of space into the American Cold War perimeter by way of weapons technology, most notably through the gyrocompass (which develops into the black box navigation systems for ballistic missiles) and the man–machine amalgamation. This assimilation and emergence are traced at hand of exploration narratives (Harold Ponting; Douglas Mawson; Richard Byrd) as well as science fiction stories (H. P. Lovecraft; John W. Campbell, Jr.) that precede the Cold War, but whose forging of a superman-specimen anticipate the conceptualisation of Antarctica as a Cold War space. The South Pole operates as zone of rehearsal for superpower merging: the explorers become prototype cyborgs whose expeditions point towards the containment culture, epitomised in the gyrocompass/black box technology, of the Cold War

Archaeology · Art · Art history · Cold war · Geography · Literature · Narrative · North pole · Physical geography · Political science · Politics · Superman · Superpower · The arctic · History · Law · Polar Research and Ecology · Space Science and Extraterrestrial Life · Twentieth Century Scientific Developments · Geology · Oceanography

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Citation velocityhistorical
Highly citedNo

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