The Turner-Schechner Model of Performance as Social Drama
A Re-Examination in the Light of Anlo-Ewe Halo
Datos Bibliográficos
| ID | 5774041 |
|---|---|
| Autores | Daniel Avorgbedor (autor de correspondencia), Daniel Kodzo Avorgbedor |
| Año | 1999 |
| Volumen | 30 |
| Número | 4 |
| Páginas | 144-155 |
| Fecha de publicación | 1999-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Research in African Literatures (JOURNAL) |
| Identificadores de la revista | ISSN: 0034-5210 • E-ISSN: 1527-2044 |
| Editorial | Indiana University Press (PUBLISHER • US) |
| DOI | 10.1353/ral.2005.0026 |
| OpenAlex | W4235129580 |
| Idioma | EN |
| Citas recibidas | 1 |
This essay isolates dramaturgic procedures in Anlo-Ewe haló performance and evaluates them along the hypothetical and theoretical ideas of Victor Turner and Richard Schechner. The procedures are situated in their significant social and aesthetic formulations and along the manner in which they enhance the communication of dramatic impulse. The influence of the social framework, the deliberate framing or staging (with set rules and procedures), and the competitive engagement of rival groups in haló will clarify the notion of "social drama," as propounded in the works of Turner (The Anthropology of Performance; The Drums of Affliction; Dramas, Fields, and Metaphors; and From Ritual to Theatre) and Schechner (Performative Circumstances; Essays on Performance Theory; and Performance Theory). I will begin with a summary of the components of haló
Framing (construction · Performance studies · Performative utterance · Theatre and Performance Studies
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,09 |
| Intervalo de citas | 2015 - 2015 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |