O teatro paulista do estudante nas origens do nacional popular
Bibliographic Data
| ID | 5789736 |
|---|---|
| Authors | Sara Mello Neiva (0000-0002-0657-8749, corresponding author) |
| Year | 2017 |
| Publication date | 2017-07-14 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.27.2017.tde-14072017-144723 |
| OpenAlex | W2751531677 |
| Language | PT |
| Citations received | 6 |
| References cited | 1 |
This study aims to investigate the Teatro Paulista do Estudante (TPE), founded by Gianfrancesco Guarnieri, Oduvaldo Vianna Filho and Vera Gertel -among others, since its creation in 1955 until its merger with the Teatro de Arena in 1956.It is identified there the beginning of a national popular project that would influence decisively in all subsequent political theater, like the political engaged phase of the Teatro de Arena and the Centro Popular de Cultura (CPC), until 1964.This research seeks to establish and analyze the artistic and theoretical productions of Teatro Paulista do Estudante and the impasses resulting from their practice.TPE was observed through the influence of the italian director Ruggero Jacobbi; the tradition of amateur groups of popular intentions in the 1950s; and the political engagement from the Brazilian Communist Party (PCB
Amateur · Art · Communism · Humanities · Political science · Politics · Arts and Performance Studies · Brazilian cultural history and politics · History, Culture, and Society · Law
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2018 - 2023 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |