Anthropology, Art, and Aesthetics
Bibliographic Data
| ID | 5794047 |
|---|---|
| Authors | Simon Ottenberg |
| Year | 1995 |
| Volume | 28 |
| Issue | 1 |
| Pages | 18-18 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | REVIEW |
| Review of | Anthropology, art, and aesthetics, Anthony Shelton, 1992 |
| Venue | African Arts (JOURNAL) |
| Journal identifiers | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3337247 |
| OpenAlex | W2316414554 |
| Language | EN |
Risky methodologies and humble knowledges
Flickering images, floating signifiers
Maisons Tropicales/Maisons Coloniales
The Sound Exists Only in Your Own Body'-Sensory Approximation of Visual and Aural Impairment through Media Art Projects
Works of Art That Refuse to Behave
The Archaeology of Medicine in the Greco-Roman World
Aesthetics in Archaeology
Images, Ornament, and Cognition in Early La Tène Europe
Myth
An Art of Transformation
Seeking Providence Through Things
The Bronze Object in the Middle Ages
Kinship, Law and the Unexpected
Apples and oranges? The importance of recognizing heterogeneity in arts and health research publications
Networks, Agents and Objects
Consuming Colonialism
The Archaeology of Etruscan Society
De chair, d'encre et de quotidien
El poder de las manos de la Virgen
The aesthetic and spiritual contexts of Giriama vigango in Kenya and their relationship to contemporary sculptural form
Look at Us Now
Conceptualizing Gods through Statues
TheKaččāand thePakkā
Mursi ox modification in the Lower Omo Valley and the interpretation of cattle rock art in Ethiopia
The evolution of the human trophic level during the Pleistocene
The Iconography of a Nation
The ethnographic archive and the poetics of history
Water Works
Enchanting spaces
Style in N ew I reland Art and Culture
Singing about the Land among the Biangai
Of Human Bondage
Recycling and Reincarnation
What Meaning had Colour in Early Societies
Rock Art in the Context of Contemporary Art and Aesthetics
Braiding the Identity of the Zenú People
The Alpha Orient
Art and Religion in Africa
Fancy Objects’ in the British Iron Age
Identification of a Probable Aarnguaq in a Sadlermiut Grave from Native Point, Southampton Island, Nunavut, Canada
Arctic energy image
Anthropological approaches to the relationship between aesthetics and ethics
Archaeo-Ethnography, Auto-Archaeology
Material Objects, Identity and the Home
Crafting axes, producing meaning. Neolithic axe depositions in the northern Netherlands
The Aesthetic Constitution of Space
Anthropologies of art
Visual Games and the Unseeing of Race in the Late Nineteenth Century
Ritualised craft production at the Hopewell periphery
The art museum in Africa - a utopia desired
Necessary Nudes
Religion and Robots
Songs, Discos and Dancing in Kiryandongo, Uganda
People of Stone
Through a window on the European iron age darkly
Art (Pre)History
The importance of large prey animals during the Pleistocene and the implications of their extinction on the use of dietary ethnographic analogies
Social Aesthetics and The Doon School
Faience goddesses and ivory bull-leapers
Conversações entre artes & culturas a partir de olhares antropológicos
Towards an Archaeology of Everyday Aesthetics
A Bakhtinian Approach to the JamaicanNine Night
Estéticas da transformação
The evolution of simplicity
Grasping the elusive and unknowable
Museums and the Things in Them Should Be Alive
Making sense
Not My Job? Architecture, Responsibility, and Justice in a Booming African Metropolis
Art and Politics
Um rosto para vestir, um corpo para usar
When knowledges meet
Common Senses
Gifts of Labour
The Visible Evidence of Cultural Producers
Semiotic Dimensions of Creativity
The Anthropology of Art, After the End of Art
Sincerity Versus Self-Expression
Exploring prison through memory
An ethics of enchantment
Value and significance in archaeology
Material Culture Studies' and other Ways to Theorize Objects
| Citation velocity | historical |
|---|---|
| Highly cited | No |