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The politics of humour in the public sphere

Cartoons, power and modernity in the first transnational humour scandal

Bibliographic Data

ID5800965
AuthorsGiselinde Kuipers (0000-0002-5767-1054, University of Amsterdam & Erasmus University Rotterdam, corresponding author)
Year2011
Volume14
Issue1
Pages63-80
Publication date2011-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Cultural Studies (JOURNAL)
Journal identifiersISSN: 1367-5494 • E-ISSN: 1460-3551
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1367549410370072
OpenAlexW2153525501
LanguageEN
Citations received117
References cited19

This article analyses the Danish 'cartoon crisis' as a transnational 'humour scandal'. While most studies conceptualize this crisis as a controversy about free speech or international relations, this article addresses the question why the crisis was sparked by cartoons. First, the article discusses the culturally specific 'humour regime' in which the cartoons were embedded. Second, it analyses the power dynamics of humour.Thirdly, it discusses how the cartoon crisis added a new element to the image of Muslims as completely Other and lacking in modernity: they have no sense of humour. Analysis of this controversy as humor scandal allows us, first, to identify its 'winners' and 'losers'. Next, it underscores the emergence of a transnational public sphere. Finally, and most importantly, it highlights the politics of humour - a slippery, often exclusive mode of communication - in national and transnational public spheres

Discourse Analysis in Language Studies · Humor Studies and Applications · Rhetoric and Communication Studies

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Unique citing works117
Citations per year9
Citation span2013 - 2026 (14)
Citation velocitycurrent
Highly citedYes
Citation typesNeutral: 116

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