Jocular politics and transcultural discourse
Trevor Noah’s comedy as African European cultural critique
Bibliographic Data
| ID | 13003752 |
|---|---|
| Authors | James Odhiambo Ogone (0000-0001-5901-3349, Jaramogi Oginga Odinga University of Science and Technology), Denish Odanga (0000-0001-6323-3598, University of Potsdam, corresponding author) |
| Year | 2025 |
| Volume | 16 |
| Issue | 2 |
| Pages | 413-427 |
| Publication date | 2025-05-02 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Comedy Studies (JOURNAL) |
| Journal identifiers | ISSN: 2040-610X • E-ISSN: 2040-6118 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/2040610x.2025.2497020 |
| OpenAlex | W4410027821 |
| Language | EN |
| References cited | 17 |
Aesthetics · Art · Comedy · Cultural politics · Literature · Political science · Politics · Sociology · Cinema and Media Studies · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History
Humor, Anthropology of
Problems of Dostoevsky's Poetics
The Invention of Africa
Trevor Noah and the contingent politics of racial joking
Laughter, resistance and ambivalence in Trevor Noah’s stand-up comedy
Punch up, punch down o! All I know is there is punch’
On the Postcolony
The Other Question
The social construction of digital danger
The Uses of Ridicule
The politics of humour in the public sphere
The limits of satire, or the reification of cultural politics
Comedy Has Issues
| Citation velocity | historical |
|---|---|
| Highly cited | No |