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Wounded Beauty

An Exploratory Essay on Race, Feminism, and the Aesthetic Question

Bibliographic Data

ID5807694
AuthorsAnne Anlin Cheng, Anne Cheng (corresponding author)
Year2000
Volume19
Issue2
Pages191-191
Publication date2000-01-01
Open AccessNo
TypeARTICLE
VenueTulsa Studies in Women s Literature (JOURNAL)
Journal identifiersISSN: 0732-7730 • E-ISSN: 1936-1645
PublisherJSTOR (PUBLISHER)
DOI10.2307/464426
OpenAlexW2796994977
LanguageEN
Citations received6

This essay explores the ways in which the expected political and moral discourse surrounding discussions of beauty, especially for the woman of color, displaces and misrecognizes the intense and uncanny experience of beauty. Lost between a feminist rejection of beauty's privilege and a racial denial of nonwhite beauty, the woman of color's relationship to beauty affords an opportunity to explore how a critique of racism may not align neatly with a critique of gender stereotypes. Through a reading of works by Nella Larsen, Maxing Hong Kingston, and Toni Morrison, this article argues for the unruly effects of beauty, not as a symptom but as a critical lens through which we can expand notions of agency and subjective boundary

Aesthetics · Art · Beauty · Exploratory research · Feminism · Race (biology · Sociology · Anthropology · Gender, Feminism, and Media · Posthumanist Ethics and Activism · Gender Studies

  • Beauty is in the Eye of the Colonizer

    Open Access•Shaila Kumbhare•Journal of Critical Race Inquiry•2024

  • Horrible Beauty

    Open Access•Matthew Scully•Postmodern Culture•2022

  • I Know I Can’t Change the Future, But I Can Change the Past”

    Open Access•Grace McGowan•Contemporary Women s Writing•2019

  • Embracing femininity

    Nandini Joshi•Feminist Media Studies•2023

  • Touching Ash in Vietnamese Diasporic Aesthetics

    David Pham, David K Pham•American Literature•2023

  • Black Children, White Preference

    Open Access•Gwen Bergner•American Quarterly•2009

Citations per year0.35
Citation span2009 - 2024 (16)
Highly citedNo

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