Uma modernista Rococó
Marie Laurencin e o teatro da feminilidade (branca) na pintura francesa, séculos XVIII e XX
Bibliographic Data
| ID | 5822702 |
|---|---|
| Authors | Mariana Gazioli Leme (0000-0002-8501-1678, corresponding author) |
| Year | 2021 |
| Publication date | 2021-08-12 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.27.2021.tde-28092023-113425 |
| OpenAlex | W4387127986 |
| Language | PT |
| References cited | 27 |
This Master thesis proposes a critical review of Marie Laurencin's mature work, placing it in the tumultuous European context of the first half of the 20th century.Despite its density, her oeuvre has been interpreted as "graceful" and "feminine", which only reinforces gender stereotypes.I propose to further investigate an interpretation suggested by some critics, according to which Laurencin mobilizes the iconography of the fêtes galantes -the cultural expression of the "French civilization" in the 18th century -, at a time when this very idea was being questioned, with the traumatic episodes of the two World Wars, and the imminent loss of African and Asian colonies.This work presents an investigation of the symbolic capitals of French visual culture, which at the same time reflects and informs the values of society, through highly coded images
Archaeology · Art · Art history · Civilization · Humanities · Iconography · Arts and Performance Studies · History · History, Culture, and Society · Philosophy · Urban and sociocultural dynamics
Le Code noir, ou, Le calvaire de Canaan
Capitalism and Slavery
The Problem of Slavery as History
Silencing the Past
Playing in the dark
Les avant-gardes artistiques, 1918-1945
Les femmes ou Les silences de l'histoire
Modernity and Nostalgia
Sexual / Textual Politics
Understanding White Privilege
Picturing Imperial Power
Questions of Cultural Identity
Marie Laurencin
Women Artists and Writers
Women in the eighteenth century
United on the Threshold of the Twentieth‐century Mystical Ideal
White freedom
Slavery and the Culture of Taste
The Originality of the Avant-Garde and Other Modernist Myths
Discurso Sobre O Colonialismo (1950)
Tarsila, sua obra e seu tempo
The Rise and Fall of the Caucasian Race
| Citation velocity | historical |
|---|---|
| Highly cited | No |