The Narratology of Comic Art
Bibliographic Data
| ID | 5836971 |
|---|---|
| Authors | Kristina Mikkonen (0000-0003-1371-4398, corresponding author), Kai Mikkonen |
| Year | 2017 |
| Pages | 312 |
| Publication date | 2017-05-08 |
| Open Access | Yes |
| Type | BOOK |
| Venue | The Narratology of Comic Art (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315410135 |
| OpenAlex | W4210975682 |
| Open Library | OL31375284M |
| ISBN | 9781315410135 |
| GOOGLE_BOOK_ID | GafODgAAQBAJ |
| Language | EN |
| Citations received | 35 |
| References cited | 13 |
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tra dition.This involves not just the exploration of those properties in com ics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked as well.This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics.Thus, while narrato logy is brought to bear on comics, equally comics are brought to bear on narratology
Narratology · Comics and Graphic Narratives · Digital Games and Media · Narrative Theory and Analysis · Art · Comic books, strips · Drawing · Graphic novels: superheroes & super-villains · History and criticism · Literary studies: fiction, novelists & prose writers · Media Studies · Narration (rhetoric) · Narrative art · Techniques
La pared narrada
Visualizing affect in Jimmy Corrigan
‘Fraught with background’
On the level
No laughing matter!? Analyzing the Page Layout of Instruction Comics
Immigrant song
Ecology at the margins
Interrogating form and function
Representing the unrepresented
“Bed, bath, & bite me”
The framing of subjectivity
Carceral spatialities in Still Alive
How to Tell a Story without Words
Children's Literature as a Front in the War on Terror
Drawing the Invisible
Io so’ Carmela
Worldmaking, Legal Education, and the Saga Comic Book Series
Representing stream of consciousness in comics
Narrating and focalizing visually and visual-verbally in comics and graphic novels
Processing Incongruity for Mental Events in Comics
Collaborative visual storytelling
The distinctive reality of schizophrenia in Swallow Me Whole and Hoax Psychosis Blues
Identificación de la momia que inspiró el personaje de Rascar Capac de Hergé
Wiley Lecture 2022. Communicating climate change with comics
Graphic Activism and Epistemic Justice in Vanni
Redrawing the lesbian
On the track of visual style
Traversing the (In)Visible Territory of Schizophrenia in Hoax Psychosis Blues
Audio described comics in the museum
Beyond the Personal
Picto‐verbal representation
Narratorhood in the Anthropocene
Los paratextos en el cómic español del siglo XXI
O princípio iterativo na arte dos quadrinhos
Comics in Science and Health Communication
The Literary Origins of the Cinematic Narrator
The Philosophy of Motion Pictures
Visual representations of the idealized cognitive model of anger in the Asterix album La Zizanie
Pictorial runes in Tintin and the Picaros
How to do things with words and gestures in comics
Sculpture, Stasis, the Comics, and Hellboy
The Art of Succession
| Unique citing works | 35 |
|---|---|
| Citations per year | 4,38 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 34 |