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Terrorism Before the Letter

Benito Cereno and the 9/11 Commission Report

Bibliographic Data

ID5839308
AuthorsBryce Traister (Department of English, University of Western Ontario, corresponding author)
Year2013
Volume43
Issue1
Pages23-47
Publication date2013-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras.2013.002
OpenAlexW2045784108
LanguageEN
References cited14

This essay argues that Herman Melville's 1855 novella, Benito Cereno, serves as a historical model for thinking through the construction of paranoid narrative in the 9/11 Commission Report. Melville's text invites a consideration of slavery's role in the preservation of status quo politics, and reveals the means by which the disclosure of secrecy becomes a condition for the legal fiction of slavery to persist. In purporting to reveal the hidden plot of contemporary anti-US terrorism, the US government's 9/11 Commission Report similarly manufactures an acceptable political fiction that compensates for a still deeper failure to promote democratic structures of feeling in response to national trauma

Novella · Plot (graphics · Theme (computing · Crime and Detective Fiction Studies · Gothic Literature and Media Analysis · Hannah Arendt's Political Philosophy

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Citation velocityhistorical
Highly citedNo

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