Dance and Ethnicity
Bibliographic Data
| ID | 5845457 |
|---|---|
| Authors | Barbara Sellers‐young (0000-0003-0624-0745) |
| Editors | Anthony Shay, Barbara Sellers-Young |
| Year | 2016 |
| Pages | 704 |
| Publication date | 2016-04-07 |
| Open Access | No |
| Type | BOOK |
| Venue | Oxford Handbook of Dance and Ethnicity (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oxfordhb/9780199754281.013.38 |
| OpenAlex | W2402693118 |
| ISBN | 9780199754281 |
| Open Library | OL28580653M |
| Language | EN |
| Citations received | 11 |
Ethnic groups have been defined as people who share a common ethos based on ancestry, nation, language and other identity markers. This volume brings scholars from across the globe that have incorporated perspectives from critical and cultural studies in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented as an ethnicity. The essays in this volume engage the four themes of identity construction, local and transnational politics, appropriation and related exotification, and resistance that are part of the ongoing discourse in the relationship between dance and ethnicity. Cumulatively, the essays in their research approach and methodology document the change that has taken place in dance studies from the ethnic as an easily identified category based on biology and geography to ethnicity as a fluid concept and dance as an active contributor to the creation and negotiation of it
Appropriation · Cultural appropriation · Ethos · Folk dance · Diversity and Impact of Dance · Anthropological aspects · Dance · Ethnicity · Social aspects
The Journey of Italian Belly Dancers
La Liga de la Decencia
Highlights of Digital Technologies Application for Choreography Teaching
Staging the Folk
Transnationality, Transculturality and Ethnicity
Virtual (music) exhibits as critical spaces of community engagement
Cultural hybridity and identity formation in dance education
Emotions and the representation of funeral rites in Sergei Tretiakov’s Georgian screenplays, 1928–1931
Transmitting the message of Okinawa by drums’
Catholicism, cultural nationalism and traditional dance in the Irish and Croatian communities in Australia
Blackbirds in the Archive
| Citations per year | 1.22 |
|---|---|
| Citation span | 2017 - 2026 (10) |
| Highly cited | No |