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Art based on trust. Old Believers of the millennium in the lens of the “consonant camera

Bibliographic Data

ID6017653
AuthorsEvgeny V Aleksandrov (0000-0002-7726-1466, Lomonosov Moscow State University, corresponding author)
Year2024
Issue3
Pages87-105
Publication date2024-09-29
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueВестник антропологии (Herald of Anthropology (JOURNAL)
Journal identifiersISSN: 2311-0546 • E-ISSN: 2782-1552
PublisherInstitute of Ethnology and Anthropology RAS (PUBLISHER)
DOI10.33876/2311-0546/2024-3/87-105
OpenAlexW4403107624
LanguageEN
References cited6

The article presents an attempt to comprehend the process of creation and use of the “consonant camera” methodology in video-documenting the life of Old Believer communities in different regions of Russia in 1993–2013. It reveals the objective and subjective reasons for creating the author’s method of video-documentation based on the principle of “flavertism” or synthesizing the approaches of Robert Flaherty and Dziga Vertov. Radical changes in electronic information technology and in the socio-political environment of the studied period provoked further activities based on the principles of visual anthropology. In collaboration with the archaeographic laboratory of Moscow State University and other researchers of Old Believers, a series of expeditions were conducted, during which specific techniques of filming were developed and an array of video documents created, designed for complex use. Three stories about the creation of the video portraits of Old Believers serve as illustrative examples of the artistic embodiment of the studied community’s culture

Art · Lens (geology · Optics · Physics · Through-the-lens metering · Computer Science · Sustainable Urban and Rural Development

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Citation velocityhistorical
Highly citedNo

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