Margaret Mead and Gregory Bateson in Bali
Their Use of Photography and Film
Bibliographic Data
| ID | 3012128 |
|---|---|
| Authors | Ira Jacknis (Brooklyn Museum, corresponding author) |
| Year | 1988 |
| Volume | 3 |
| Issue | 2 |
| Pages | 160-177 |
| Publication date | 1988-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0886-7356 • E-ISSN: 1548-1360 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/can.1988.3.2.02a00030 |
| OpenAlex | W2027699404 |
| Language | EN |
| Citations received | 83 |
| References cited | 19 |
Art · Art history · Citation · Library science · Media studies · Photography · Sociology · Visual arts · Computer Science · History · Philippine History and Culture
Historical Overview of Qualitative Research in the Social Sciences
The Celluloid Specimen
Mead, Margaret (1901–78)
The Narrative Production of “Home,” Community, and Political Identity in Asian American Theater
Visual Anthropology
Estética y política de la ocupación del espacio público. Una propuesta de análisis
Trance and Dance in Bali (1951). On the Musical Selections of Mead and Bateson’s Film
Sensing performance
Visual Anthropology and Preservation of the Community Cultural Heritage
Visually engaged ethnography
Arab Noise and Ramadan Nights
The Figure of the X
“Cultural Defense” and Criminological Displacements
Songs Lodged in Some Hearts
Carmelo Lisón y la experiencia del trabajo de campo
Movement Inscription in Beryl de Zoete’s Archive
Experimental Ethnography Online
Developing selves
The Forgotten Ethnographic Legacy of Margaret Mead (1931-1939)
Vozes e silêncios
Margaret Mead e Ken Heyman
William Crocker's Photographic Collection Among the Canela of Central Brazil
Arab Noise and Ramadan Nights
A visual legacy
Divine Horsemen de Maya Deren
Scrutinizing
A Feedback Situation
Global Activist Network involving Asia
Real cameras, irreal things
A Trace of Fingerprints Displacements and Textures in the Use Of Ethnographic Video in Venezuelan Spiritism
Sensing the Night
Melville J. Herskovits
From Documentation to Representation
The baba and the patrao
Safari adventure
Mixed messages
Visual methods and the study of Balinese art collections
De orientalismos y occidentalismos
Let There Be Light
Freezing Time
Crosscurrents, crosstalk
The Anthropologist as Photographer
Naturaleza y cultura en la formación de la persona
The Scapegoat Mechanism in Southeast Asian Ritual, Myth, and Politics
Art based on trust. Old Believers of the millennium in the lens of the “consonant camera
Collaborative Media Production and Antropología Comprometida
Why are you taking my picture
Evidence outside the Frame
Boasian Verse
Miradas cómplices
Maya Deren
Tremor, Tick, and Trance
Documenting Human Nature
Paul Ekman and the search for the isolated face in the 1960s
Perceptions, not illustrations, of Sefrou, Morocco
Appréhender les vulnérabilités en santé au Brésil
Bali, the Camera, and Dance
Introduction. L'anthropologie face à ses images
Margaret Mead and Gregory Bateson in Bali
Agency, Leadership, and Gender Negotiation in Balinese Girls' Gamelans
Film and Ritual
Cine-weapon
Visual Anthropology in post-colonial worlds
Margaret Mead, Bali e o Atlas do comportamento infantil
Telling a Story about the Past
Image Acts
Sound + Vision
Photo-Elicitation with Autodriving in Research with Individuals with Mild to Moderate Alzheimer's Disease
Performing politics
Beyond Ocular Inquiry
An Excess of Description
The Indonesian Alcove at the American Museum of Natural History
Sketching knowledge
The Bellwether Ewe
Tripod
The Samoa Reader
The Camera in 'Native' Hands
Introduction
Contemporary Ethnographic Aesthetics
Filming Fore, Shooting Scientists
Knowledge as the source of progress
James Mooney as an ethnographic photographer
Historical photographs as anthropological documents
Mead's Mediations
Visual Anthropology in a Discipline of Words
Visual anthropology
A handbook of method in cultural anthropology.
Trance in Bali
Naven
A Research Film Program in the Study of Changing Man [and Comments and Replies]
Native Languages as Field‐work Tools 1
Anthropology as Cultural Critique
From Intuition to Analysis in Communication Research
Margaret Mead and the Shift from "Visual Anthropology" to the "Anthropology of Visual Communication
A Timely Rereading of Naven
Margaret Mead and Gregory Bateson in Bali
With a Daughter's Eye
Oceania
| Unique citing works | 83 |
|---|---|
| Citations per year | 2,18 |
| Citation span | 1988 - 2026 (39) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 83 |