Depicting the Mesoamerican Spirit World
Bibliographic Data
| ID | 6033744 |
|---|---|
| Authors | Alessia Frassani (0000-0002-2867-255X, Leiden University, corresponding author) |
| Year | 2016 |
| Volume | 27 |
| Issue | 2 |
| Pages | 441-459 |
| Publication date | 2016-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Ancient Mesoamerica (JOURNAL) |
| Journal identifiers | ISSN: 0956-5361 • E-ISSN: 1469-1787 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0956536116000328 |
| OpenAlex | W2557639965 |
| Language | EN |
| Citations received | 2 |
| References cited | 27 |
In this study I argue that modern ethnographic data can be used in the interpretation of ancient Mesoamerican art and pictography, in particular, beyond iconographic analysis. Ancient painted texts were read in a performative way, with recitation, enunciation, and context playing a fundamental role in conveying meaning. While normally pictography is approached as a provider of content information, the way meaning is encoded and decoded is also integral to pictorial language. In this essay, I attempt to trace durable forms of Mesoamerican religiosity by comparing ancient depictions, their colonial transformations, and modern Mazatec chants through the prism of the “religious specialist.” This figure embodies an ecstatic experience: a direct contact and communication with the divine, which requires a cognitive transformation materialized in words, texts, and pictures
Aesthetics · Archaeology · Art · Epistemology · Ethnography · Linguistics · Literature · Performative utterance · Religiosity · Theology · Archaeology and ancient environmental studies · History · Latin American history and culture · Media, Communication, and Education · Philosophy
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On spirit writing
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2022 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |