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Cut-Paper Figures and Nahua Conceptions of the Divine

Art and Revelation in Pantheistic Religion

Bibliographic Data

ID8240802
AuthorsAlan R Sandstrom (Purdue University Fort Wayne, corresponding author), Pamela Effrein Sandstrom (0000-0002-1462-6931, Purdue University Fort Wayne)
Year2022
Volume64
Pages15-62
Publication date2022-08-22
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEstudios de cultura náhuatl (JOURNAL)
Journal identifiersISSN: 0071-1675 • E-ISSN: 3061-8002
PublisherUniversidad Nacional Autonoma de Mexico (PUBLISHER • MX)
DOI10.22201/iih.30618002e.2022.64.78106
OpenAlexW7118706155
LanguageEN
References cited30

Nahuas of the Huasteca Veracruzana, along with their Otomí (Ñähñu) and Tepehua (Hamasipiní) neighbors, evoke sacred spirit entities through the medium of cut-paper figures, which they arrange on altars and make the subject of elaborate ritual offerings, including the blood of chickens and turkeys. The cut-paper figures embody forces in the cosmos that are critically important for human well-being and reveal the pantheistic basis of Nahua religion and its foundations in ontological monism. Analysis of the Nahua system of semasiography as it is expressed in the ritual paper complex provides a new basis for understanding ancient and contemporary ritual practice, artistic production, and the wider Mesoamerican graphic communication system

Anthropology of religion · Ethnography · Interrogation · Revelation · Subject (documents · Amazonian Archaeology and Ethnohistory · Latin American history and culture · Psychedelics and Drug Studies

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Highly citedNo

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