Depicting cross‐cultural interaction
Figurative designs in wood, earth and stone from south‐east Australia
Bibliographic Data
| ID | 6038406 |
|---|---|
| Authors | Paul S C Taçon (0000-0002-0280-4366, People and Place Research Centre Australian Museum 6 College St. Sydney 2010), Barrina South (People and Place Research Centre Australian Museum 6 College St. Sydney 2010), Shaun Boree Hooper (People and Place Research Centre Australian Museum 6 College St. Sydney 2010), Hooper, S Hooper (Australian Museum) |
| Year | 2003 |
| Volume | 38 |
| Issue | 2 |
| Pages | 89-101 |
| Publication date | 2003-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Archaeology in Oceania/Archæology & physical anthropology in Oceania (JOURNAL) |
| Journal identifiers | ISSN: 0728-4896 • E-ISSN: 1834-4453 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/j.1834-4453.2003.tb00532.x |
| OpenAlex | W2054352079 |
| Language | EN |
| Citations received | 12 |
| References cited | 26 |
We examine Aboriginal wooden artefacts traded between European and Aboriginal Australians in south‐east Australia in order to gain insight into the impact of cross‐cultural interaction on Aboriginal art traditions. Although we focus on wooden objects with figurative designs made and exchanged over the past 150 or more years, as well as their links to earlier ground, tree and rock‐art traditions, the study contributes to a larger understanding of cultural change not well documented with ethnography. Information from 469 individual pieces in 90 private and public collections, is summarised, along with the development of individual, community and regional styles. A theory about the role of such material culture during changing times in south‐east Australia is outlined. More generally, it is argued that material culture both mediates and expresses change, with figurative motifs and storytelling through pictures particularly effective when communicating to diverse groups of people of varying cultural and linguistic backgrounds
Archaeology · Art · Cross-cultural · Ethnography · Linguistics · Literal and figurative language · Literature · Narrative · Sociology · Storytelling · Visual arts · Anthropology · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Pacific and Southeast Asian Studies
Boundaries, Relationality, and Style Provinces in Australian Rock Art
Consuming Colonialism
Considering Colonialism and Capitalism in Australian Historical Archaeology
‘We don't do dots ‐ ours is lines’ — Asserting a Barkindji Style
Art, Culture and Ambiguity in Wilcannia, New South Wales
Painting the Police
From rock art to contemporary art
Two rare shield depictions from the Burrungkuy rock art region of Western Arnhem Land, Australia
The Western Yalanji dendroglyph
Symbolic language in Torres Strait, NE Australia
Shellwork on show
The Importance of the Koala in Aboriginal Society in Nineteenth-century Victoria (Australia)
Are artifacts texts? Lithuanian woven sashes as social and cosmic transactions
Entangled Objects
A Place for Strangers
Ethnic and Tourist Arts
The Messages of Tourist Art
The Social Life of Things
Epilogue
Unpacking Culture
Native Art as Art History
Media and social context
Animals into Art
Entangled objects
Pidgin Languages and Tourist Arts
Bedrock notions and isochrestic choice
Chimera, spandrel, or adaptation
Early References to Aboriginal Rock Carvings
Emerging trends in rock-art research
The Message of Tourist Art, an African Semiotic System in Comparative Perspective
Australian Ground and Tree Drawings
| Unique citing works | 12 |
|---|---|
| Citations per year | 0,67 |
| Citation span | 2008 - 2021 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 12 |