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Bedrock notions and isochrestic choice

Evidence for localised stylistic patterning in the engravings of the Sydney region

Bibliographic Data

ID6038659
AuthorsJ Mcdonald (0000-0002-2701-7406, 15 Bankside Ave Undercliffe NSW 2206, corresponding author)
Year1999
Volume34
Issue3
Pages145-160
Publication date1999-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArchaeology in Oceania/Archæology & physical anthropology in Oceania (JOURNAL)
Journal identifiersISSN: 0728-4896 • E-ISSN: 1834-4453
PublisherWiley (PUBLISHER • GB)
DOI10.1002/j.1834-4453.1999.tb00444.x
OpenAlexW2043013949
LanguageEN
Citations received11
References cited30

This paper explores stylistic variability in engraved art in the Sydney region. It is argued that engravings operated in a distinctive social context, fulfilling a regional bonding function and providing the opportunity for large scale group cohesion. Conversely the sheltered pigment art, produced in an arguably domestic social context, is thought to have provided the opportunity for individual and localised group identifying behaviour.The region's open engravings are considered to be the stylistically more conservative of the two art components. This paper explores rare engraved motifs and compositional details in an attempt to explore the artists of this region's bedrock notions and isochrestic choices (Sackett 1990). It concludes that by exploring regional patterning at a variety of integrated scales we can understand better the processes and complexities of a regional rock art network

Aesthetics · Archaeology · Art · Bedrock · Cohesion (chemistry · Context (archaeology · Engraving · Rock art · Visual arts · Aesthetic Perception and Analysis · Archaeology and Rock Art Studies · History · Pleistocene-Era Hominins and Archaeology · Geology · Paleontology

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Unique citing works11
Citations per year0,42
Citation span2000 - 2020 (21)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 11

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