The Materiality of Rock Art and Quartz
A Case Study from Mpumalanga Province, South Africa
Bibliographic Data
| ID | 6044590 |
|---|---|
| Authors | Jamie Hampson (0000-0001-5914-9422, The University of Western Australia, corresponding author) |
| Year | 2013 |
| Volume | 23 |
| Issue | 3 |
| Pages | 363-372 |
| Publication date | 2013-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cambridge Archaeological Journal (JOURNAL) |
| Journal identifiers | ISSN: 0959-7743 • E-ISSN: 1474-0540 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0959774313000498 |
| OpenAlex | W2043845531 |
| Language | EN |
| Citations received | 11 |
| References cited | 43 |
A San rock-art site in northeastern South Africa includes several intriguing features, including rubbed patches of pigment and a red line painted on top of a quartz vein. This article interrogates the relationships between hunter-gatherer beliefs, materiality and rock paintings, and suggests that San painters and viewers engaged with the unique Mpumalangan site for specific ritualistic purposes
Aesthetics · Archaeology · Art · Painting · Quartz · Rock art · Visual arts · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Pleistocene-Era Hominins and Archaeology · Geology · Paleontology
Seeking meaning in the rock art of China – the case of Damaidi and the rivers of sun
Engineered ‘landmarks’ associated with Late Paleolithic engraved shelters
Found architecture
Art in the Making
Embodiment, Transformation and Ideology in the Rock Art of Trans-Pecos Texas
What are lithic ontologies
"Everything begins with a dot" cupmarks, minerals and waters in South Scandinavian Bronze Age rock art
San rock art
Quartz crystal materiality in Terminal Pleistocene Lesotho
Rhythms of time and place
Animating Architecture and the Assembly of an Elite City
Cultural Diversity among Twentieth-Century Foragers
Images of power
Women like meat
Boiling energy
Archaic Faces to Headdresses
Archaeology of the Oakhurst Shelter, George
Un-Tranced
Regenerating Substances
Trans-Pecos Texas
Rock-art’, ‘Animism’ and Two-way Thinking
Painting History
A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa
Red Lines and Arrows
Images of Power
Threads of Light
The Rock Art of Bongani Mountain Lodge and Its Environs, Mpumalanga Province, South Africa
Modelling the Production and Consumption of Rock Art
Rose Cottage Cave
Pictures from the Past. A History of the Interpretation of Rock Paintings and Engravings of Southern Africa
Through the Veil
Big Pictures
An Improved Pretreatment Protocol for Radiocarbon Dating Black Pigments in San Rock Art
The Shore Connection. Cognitive Landscape and Communication with Rock Carvings in Northernmost Europe
Discovering Southern African Rock Art
The Cubeo Indians of the Northwest Amazon
Sailing through Stone
Rainbow Colour and Power among the Waanyi of Northwest Queensland
Sally's Rockshelter and the Archaeology of the Vision Quest
Seeing and Construing
An introduction to the rock art of the Malilangwe Conservation Trust, southeastern Zimbabwe
Re-animating Hunter-gatherer Rock-art Research
Archaeological Cables and Tacking
The Perception of the Environment
The power of stone
Creolisation on the Nineteenth-century Frontiers of Southern Africa
Rock Paintings in South Africa
Symbolism of the Huichol Indians
Sympathetic Magic in Western North American Rock Art
The Medicine Dance of the !Kung Bushmen
"Animism" Revisited
Rethinking the animate, re-animating thought
Materials against materiality
| Unique citing works | 11 |
|---|---|
| Citations per year | 1 |
| Citation span | 2015 - 2026 (12) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 10 |