Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Materiality of Rock Art and Quartz

A Case Study from Mpumalanga Province, South Africa

Bibliographic Data

ID6044590
AuthorsJamie Hampson (0000-0001-5914-9422, The University of Western Australia, corresponding author)
Year2013
Volume23
Issue3
Pages363-372
Publication date2013-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCambridge Archaeological Journal (JOURNAL)
Journal identifiersISSN: 0959-7743 • E-ISSN: 1474-0540
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0959774313000498
OpenAlexW2043845531
LanguageEN
Citations received11
References cited43

A San rock-art site in northeastern South Africa includes several intriguing features, including rubbed patches of pigment and a red line painted on top of a quartz vein. This article interrogates the relationships between hunter-gatherer beliefs, materiality and rock paintings, and suggests that San painters and viewers engaged with the unique Mpumalangan site for specific ritualistic purposes

Aesthetics · Archaeology · Art · Painting · Quartz · Rock art · Visual arts · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Pleistocene-Era Hominins and Archaeology · Geology · Paleontology

  • Seeking meaning in the rock art of China – the case of Damaidi and the rivers of sun

    Open Access•Benjamin Smith•Time and Mind•2026

  • Engineered ‘landmarks’ associated with Late Paleolithic engraved shelters

    Open Access•Médard Thiry, A R Milne•Journal of Archaeological Science…•2024

  • Found architecture

    R Bradley, Aaron Watson•Time and Mind•2019

  • Art in the Making

    Open Access•Oscar Moro Abadía, Manuel R González Morales et al.•Journal of Archaeological Method…•2020

  • Embodiment, Transformation and Ideology in the Rock Art of Trans-Pecos Texas

    Open Access•Jamie Hampson•Cambridge Archaeological Journal•2016

  • What are lithic ontologies

    Chantal Conneller, Astrid J Nyland et al.•World Archaeology•2024

  • "Everything begins with a dot" cupmarks, minerals and waters in South Scandinavian Bronze Age rock art

    Open Access•Fredrik Fahlander•World Archaeology•2025

  • San rock art

    Open Access•J David Lewis-Williams, J D Lewis‐Williams et al.•Antiquity•2015

  • Quartz crystal materiality in Terminal Pleistocene Lesotho

    Open Access•J Pargeter, Jamie Hampson•Antiquity•2019

  • Rhythms of time and place

    Neil Rusch•Hunter Gatherer Research•2021

  • Animating Architecture and the Assembly of an Elite City

    T L Vanpool, Christine S Vanpool•Journal of Anthropological Research•2016

  • Cultural Diversity among Twentieth-Century Foragers

    Susan Kent•Cultural Diversity among…•1996

  • Images of power

    J David Lewis-Williams, Thomas Dowson•Images of power•1989

  • Women like meat

    Megan Biesele•Women like meat•1993

  • Boiling energy

    Richard Katz•Boiling energy•1982

  • Archaic Faces to Headdresses

    J Mcdonald•Desert Peoples•2005

  • Archaeology of the Oakhurst Shelter, George

    A J H Goodwin•Transactions of the Royal Society…•1937

  • Un-Tranced

    L Sundstrom•Time and Mind•2012

  • Regenerating Substances

    Ffion Reynolds•Time and Mind•2009

  • Trans-Pecos Texas

    Jamie Hampson•Time and Mind•2013

  • Rock-art’, ‘Animism’ and Two-way Thinking

    Open Access•M Porr, Hannah Rachel Bell•Journal of Archaeological Method…•2011

  • Painting History

    Sally K May, Paul S C Taçon et al.•Australian Archaeology•2010

  • A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa

    Open Access•Adelphine Bonneau, David G Pearce et al.•Journal of Archaeological Science•2011

  • Red Lines and Arrows

    Edward B Eastwood•The South African Archaeological…•1999

  • Images of Power

    Edward B Eastwood, J D Lewis-Williams et al.•The South African Archaeological…•1999

  • Threads of Light

    J D Lewis-Williams, J D Lewis‐Williams et al.•The South African Archaeological…•2000

  • The Rock Art of Bongani Mountain Lodge and Its Environs, Mpumalanga Province, South Africa

    Jamie Hampson, Challi et al.•The South African Archaeological…•2002

  • Modelling the Production and Consumption of Rock Art

    J D Lewis-Williams, J D Lewis‐Williams•The South African Archaeological…•1995

  • Rose Cottage Cave

    L Wadley•The South African Archaeological…•1992

  • Pictures from the Past. A History of the Interpretation of Rock Paintings and Engravings of Southern Africa

    Thomas A Dowson, Royden Yates et al.•The South African Archaeological…•1990

  • Through the Veil

    J David Lewis-Williams, J D Lewis‐Williams et al.•The South African Archaeological…•1990

  • Big Pictures

    Jeremy C Hollmann•The South African Archaeological…•2001

  • An Improved Pretreatment Protocol for Radiocarbon Dating Black Pigments in San Rock Art

    Open Access•A Bonneau, F Brock et al.•Radiocarbon•2011

  • The Shore Connection. Cognitive Landscape and Communication with Rock Carvings in Northernmost Europe

    Knut Helskog•Norwegian Archaeological Review•1999

  • Discovering Southern African Rock Art

    Alan Barnard, J D Lewis‐william et al.•Man•1992

  • The Cubeo Indians of the Northwest Amazon

    Irving Goldman•The Cubeo Indians of the…•1979

  • Sailing through Stone

    Richard Bradley, Andrew Jones et al.•Norwegian Archaeological Review•2002

  • Rainbow Colour and Power among the Waanyi of Northwest Queensland

    Open Access•Paul S C Taçon•Cambridge Archaeological Journal•2008

  • Sally's Rockshelter and the Archaeology of the Vision Quest

    Open Access•D S Whitley, Ronald I Dorn et al.•Cambridge Archaeological Journal•1999

  • Seeing and Construing

    Open Access•J D Lewis-Williams, J D Lewis‐Williams•Cambridge Archaeological Journal•1995

  • An introduction to the rock art of the Malilangwe Conservation Trust, southeastern Zimbabwe

    David G Pearce•Azania Archaeological Research in…•2009

  • Re-animating Hunter-gatherer Rock-art Research

    Open Access•Thomas A Dowson•Cambridge Archaeological Journal•2009

  • Archaeological Cables and Tacking

    Open Access•A Wylie•Philosophy of the Social Sciences•1989

  • The Perception of the Environment

    T Ingold•Perception of the Environment•2021

  • The power of stone

    Open Access•Paul S C Taçon•Antiquity•1991

  • Creolisation on the Nineteenth-century Frontiers of Southern Africa

    Challi, Sam Challi•Journal of Southern African Studies•2012

  • Rock Paintings in South Africa

    Open Access•M C Burkitt•Antiquity•1927

  • Symbolism of the Huichol Indians

    Alex F Chamberlain, Carl Lumholtz•Journal of American Folklore•1900

  • Sympathetic Magic in Western North American Rock Art

    Open Access•James D Keyser, D S Whitley•American Antiquity•2006

  • The Medicine Dance of the !Kung Bushmen

    Open Access•Lorna Marshall•Africa•1969

  • "Animism" Revisited

    Nurit Bird‐david•Current Anthropology•1999

  • Rethinking the animate, re-animating thought

    T Ingold•Ethnos•2006

  • Materials against materiality

    Open Access•T Ingold•Archaeological Dialogues•2007

Unique citing works11
Citations per year1
Citation span2015 - 2026 (12)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 10

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae