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Analysis of Mulan's Selling Points and Marketing Operations

Bibliographic Data

ID6046549
AuthorsHao Peng (0000-0001-5320-3117), Peng Shao (0000-0002-4350-8352, corresponding author), Shao Peng
Year1999
Volume32
Issue2
Pages11-14
Publication date1999-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueChinese Sociology & Anthropology (JOURNAL)
Journal identifiersISSN: 0009-4625 • E-ISSN: 1558-1004
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.2753/csa0009-4625320211
OpenAlexW2048001598
LanguageEN

In February 1999, the China Film Corporation brought in Mulan, Disney's 1998 hit animation film. Although movie theaters' New Year Festival slots were virtually chock-full of Chinese-made New Year—greeting films, all distribution and screening units did their best to push the film into the slot immediately following the Spring Festival holiday. Clearly, the relevant units entertained fairly optimistic box-office expectations of Mulan due mainly to the selling points that follow: 1. The film is based loosely on the "Ode to Mulan" of the Northern Dynasties period [386-581—Trans.], a poem that has become widely known among the common folk in China. Now that Hollywood is increasingly aware of the importance of Chinese cinema and culture, the film is obviously a fairly noteworthy cultural phenomenon

Advertising · Archaeology · Art history · Box office · Business · China · Corporation · Hollywood · Media studies · Movie theater · Political science · Sociology · History · Law · Media, Gender, and Advertising

Citation velocityhistorical
Highly citedNo

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