Travelogue pour un Marco Polo [My Travels with Claude]
A journey through the composer’s life and work in 10 days
Bibliographic Data
| ID | 6046965 |
|---|---|
| Authors | Stephen Rogers (0000-0003-1477-8844, corresponding author) |
| Year | 2008 |
| Volume | 18 |
| Issue | 3 |
| Pages | 27-51 |
| Publication date | 2008-10-16 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Circuit Musiques contemporaines (JOURNAL) |
| Journal identifiers | ISSN: 1183-1693 • E-ISSN: 1488-9692 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/019138ar |
| OpenAlex | W2153714190 |
| Language | EN |
| References cited | 1 |
In his article, Stephen Rogers puts forward an interpretation of the work of Claude Vivier and its particular relationship(s) with travel. It is a reflective work which aims less at analysis than description. Those familiar with the techniques and gestures which Vivier used to create his music will recognize some of the same techniques applied in Rogers’ paper to the written rather than the sonic world
Art · Art history · Gesture · Humanities · Linguistics · Visual arts · Computer Science · Historical and Literary Analyses · Historical and Literary Studies · Philosophy · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |